“A
GALLANT GESTUREâ€
By
Raymond Benson
The
novel Beau Geste by Percival Christopher Wren was published in 1924 and
has been adapted to film no less than four times and parodied a few instances as
well. It’s a classic story of the French Foreign Legionnaires set in the years
between the turn of the 20th Century and the First World War, and for nearly a hundred
years it has been deemed one of the great adventure tales.
The
1939 adaptation, directed by William A. Wellman, was the second filmed version
and is generally considered the best and certainly most well-known variation
(the first was a silent picture made in 1926 and starring Ronald Colman). With
an outstanding cast that includes Gary Cooper, Ray Milland, Robert Preston,
Brian Donlevy, Susan Hayward, J. Carrol Naish, Broderick Crawford, Albert
Dekker, and even a young Donald O’Connor, Beau Geste is indeed a rousing
“Arabian†action flick, but it’s also an intimate tale of the bond between
three brothers.
Cooper
is Beau Geste, the oldest of the three siblings who were adopted by the wealthy
Brandon family in England. His brothers are John (Milland) and Digby (Preston),
but there’s also Isobel (Hayward), Lady Brandon’s ward (with whom John is madly
in love), and Augustus (George P. Huntley), the Brandons’ nephew and heir to
the family fortune. Sir Brandon has abandoned the family for reasons not
entirely clear, so it’s up to Lady Brandon (Heather Thatcher) to head the
household and keep safe the MacGuffin of the story—a valuable sapphire called
the Blue Water. One day, Beau seemingly steals the gem and runs away to join
the Foreign Legionnaires. He is quickly joined by his two brothers, hoping to
get to the bottom of the theft.
The
commanding officer, Sergeant Markoff (Donlevy), is the heavy—cruel and overly
demanding of his men. There are a few subplots and action sequences such as an
attempted mutiny and skirmishes with the Arabs in the desert around the
Legionnaires’ fort, but ultimately the story comes down to what really happened
to the Blue Water. Without giving too much away, Beau’s name, in French, means
“a gallant gesture.â€
Beau
Geste was
one of the year’s most popular films. It’s well-shot by Theodor Sparkuhl and Archie
Stout, and Wellman’s direction—especially of the battle scenes—is superb. Wellman
was a consummate studio craftsman who worked in many genres, but he was at his
best with action pictures (his 1927 Wings won the first Academy Award
for Best Picture). Oddly, though, Beau Geste received only one Oscar
nomination—Supporting Actor for Donlevy (who is indeed marvelous as the
baddie).
Kino
Lorber’s new high definition Blu-ray looks great for most of the 112-minute
runtime, but there are a handful of sequences in which artifacts and scratches
are still apparent. There are English subtitles for the hearing impaired, and a
very interesting audio commentary by William Wellman Jr. and historian Frank
Thompson. The only supplements are the theatrical trailers for this and other
recent Kino Lorber releases.
Many
film scholars cite 1939 as one of the great years in cinema history, and Beau
Geste is definitely a component of this acclaim. Highly recommended.
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