“A
MARITAL MISADVENTUREâ€
By
Raymond Benson
Most
film historians agree that the great Alfred Hitchcock became the Master of
Suspense with his British production, The Man Who Knew Too Much. But
Hitchcock had been directing movies since 1925—nine silent titles and seven
sound features preceded that 1934 landmark. While a couple of these earlier titles
are quite good, such as The Lodger (1927) and Blackmail (1929),
the rest are mostly oddballs that don’t reflect the types of films for which
Hitchcock would be known.
Rich
and Strange,
released in Britain at the end of 1931 and in America (retitled East of
Shanghai) in early 1932, is one of these oddities. That is not to say it’s
an unworthy entry in Hitchcock’s filmography. While it will never be considered
one of his numerous masterworks, Rich and Strange is such a curiosity
that it’s interesting and entertaining enough for the discerning Hitchcock fan
or vintage film buff. Everyone else, though, will assuredly stop watching after
thirty minutes.
Based
on a 1930 novel by Dale Collins, the screenplay was written by Alma Reville
(Mrs. Hitchcock) and Val Valentine. Hitchcock also worked on the script
uncredited. Allegedly it is somewhat inspired by a round-the-world cruise the
Hitchcocks had taken. Is it autobiographical? Some historians claim that some
elements might be, but it’s more likely that Rich and Strange is the
couple’s shared fantasy of a marital misadventure.
Billed
and marketed as a comedy, the movie does contain humorous moments in the vein
of Hitchcock’s sardonic wit and sometimes rather prurient sensibility. The
first third is certainly more comic than the rest, the middle becomes
tragically serious, and the final act is action-adventure on the high seas.
Yes, it’s an oddball movie.
Fred
and Emily Hill are a middle-class married couple who are happily married, and
yet they don’t realize they’re happy. Fred (Henry Kendall) is bored with his
job in London and dissatisfied with their living conditions. Em (Joan Barry) is
a bit shrewish but only because of Fred’s malaise. Then, out of the blue, Fred
receives a large early inheritance from an uncle. The couple ditches it all and
goes on a round-the-world cruise. From the get-go, Fred discovers that he
easily succumbs to seasickness aboard the ship, which puts a damper on the
festivities. In Paris, they are shocked by the Folies Bergère.
By the time they get to the Mediterranean, Em has become infatuated with handsome
Commander Gordon (Percy Marmont). Fred, too, begins an affair with a sexy
German “Princess†(Betty Amann). Thus, the Hills’ marriage is threatened by
their attractions to other partners. It takes the sinking of a tramp steamer,
where they end up after losing all their money, and being captured by Chinese
pirates, to save it.
Rich
and Strange could
be called a warm-up to Hitchcock’s 1941 Hollywood comedy, Mr. and Mrs. Smith,
which also revolved around a bickering couple played by Carole Lombard and Robert
Montgomery. While even that picture is not held in high regard in Hitchcock’s
filmography, it’s much better than Rich and Strange. True, there is a
ten year difference in technical advancements and in Hitchcock’s development as
a director. In fact, Rich and Strange seems to still have one foot in
the silent era. Quite a bit of the movie has no dialogue and there is an
abundance of unnecessary title cards. Obviously, when Hitchcock made Rich
and Strange, he was still learning—and experimenting with—how to make sound
pictures.
Kino
Lorber’s Blu-ray is the 4K restoration recently done by the BFI and it looks
the best this reviewer has ever seen it. In the USA, the title has mostly
appeared on knock-off bootleg compilations on VHS and then DVD in poor quality.
The movie comes with optional English subtitles, and an audio commentary by
film historian Troy Howarth. The only supplements are an introduction (in
French with subtitles) by Noël Simsolo, and an
audio excerpt about the film from the famed Hitchcock/Truffaut interviews. The
theatrical trailer and more Kino Hitchcock trailers complete the package.
Rich
and Strange is
for Alfred Hitchcock completists and fans of early British cinema.
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