In this 1995 segment from Turner Classic Movies, Martin Scorsese pays tribute to the American Western and examines such classics as "The Searchers", "The Naked Spur", "The Left-handed Gun" and "Unforgiven".
This portion of the movie section from a 1966 edition of The New York Times indicates just a portion of how many fine movies were in release during a single week. Among them: "The Ipcress File", "Thunderball", "Darling", "The Hill", "The Slender Thread", "A Patch of Blue", "Bunny Lake is Missing", "Viva Maria!", "The Pawnbroker" and a Beatles double feature: "A Hard Day's Night" and "Help!". Those really were the days!
Joe Dante's Trailers from Hell site presents screenwriter/producer Larry Karaszewski's insightful appreciation of the little-seen and long-forgotten film "The Marriage of a Young Stockbroker" from 1971. Based on the novel by Charles Webb, who also wrote "The Graduate" (and who also directed this film), "Stockbroker" stars Richard Benjamin as a young man who is successful in business but no so successful in his personal life. He's got a beautiful wife (Joanna Shimkus) but he suffers from a psychological obsession with voyeurism. The film looks at his dilemma from a comedic standpoint but the underrated movie also provides plenty of insights into the human psyche and the way we deal with relationships. Benjamin is terrific as the every day guy whose obsession causes him quite a few problems. There are fine turns by Elizabeth Ashley and Adam West, whose amusing performance reminds us of how foolish Hollywood was to alienate him after "Batman". Sadly, the movie was only released on video in the early days of VHS and has not resurfaced since except for an occasional showing on Turner Classic Movies. Hopefully, this will be rectified and we'll get a Blu-ray release at some point.
Francis Ford Coppola is a visionary director, obsessed in his determination to make films his way- or at least he was. Nowadays, Coppola has contempt for the suits in the corner offices of big studios who simply want to crank out the next super hero movie. He seems content to simply concentrate on his other great passion: running his successful wine business. Back in 1976 Coppola began the agonizing quest to bring "Apocalypse Now" to the screen. The experience over the next three years almost broke him emotionally, physically and financially. That the film turned out to be a masterpiece seems even more impressive when one views the brilliant 1991 documentary feature film "Hearts of Darkness", directed by Coppola's wife Eleanor, which chronicles the day-by-day agonies Coppola experienced as the budget soared the production inched toward completion. In these excerpts, we see Coppola's frustration with two of Hollywood's great mavericks: Marlon Brando and a zonked-out Dennis Hopper, playing an appropriately zonked out character.
CLICK HERE TO ORDER "APOCALYPSE NOW" SPECIAL EDITION THAT INCLUDES "HEARTS OF DARKNESS"
I wasn’t one of
those people. And while I never thought about it back then (I was just a little
kid), later when I had time to reflect, I realized that, far from being a
complete waste of my time, growing up
watching 1960s television had, in fact, been a great gift to my life. Granted,
much of the programming back then, as today, was little more than junk food for
the mind. Still, stuffed amid the junk were some real treasures, ones that
nourished both the mind and the soul. I believe one of these was the Daniel
Boone show, which ran on NBC
from 1964 to 1970. Starring Fess Parker(1924-2010)
in the lead role, the series featured the adventures of legendary frontiersman
Daniel Boone. Others cast members included Patricia Blair as Daniel’s wife,
Rebecca, Darby Hinton as his young son, Israel, and Ed Ames as his, pardon the
expression, “boon companion” Mingo.
Every week viewers
could see Dan involved in fighting the British, making peace with the Indians,
or doing battle with moral wrongdoers. Each show ended usually on a high-note,
with friends and family united and enemies’ vanquished. All and all, not unlike
a lot of other “family shows” of the era. Except this one was a little
different. To begin with, the character of Boone as Parker portrayed him,
wasn’t exactly your typical John Ford or Howard Hawks western hero. While he
possessed all the traditional qualities of the type (courage, resourcefulness,
personal honesty and physical strength), the creators of the show added
something to the stock: human compassion. For while Dan was as quick with his
fists as he was his flintlock, ready for a fight at the drop of a coonskin cap,
he was just as quick to turn the other cheek and offer forgiveness to a former
foe. What’s more, he went out of his way to help others, especially those
weaker and more vulnerable than himself.
In one episode titled Hero’s Welcome, which
first aired in 1968, one of his old friends, a man named Simon Jarvis, has
fallen on hard times. Simon, a former war hero, suffers a fall from grace when
he is accused of cowardice in a later battle against the Choctaw Indians.
Taking solace in alcohol, Simon loses both his family and self-respect. By the
time Dan finds him, he has been reduced to lying in a half-fetal position on
the floor, suffering from what seems to be a form of PTSD. Dan slowly nurses
him back to health, doing everything from shaving him when he’s too weak to
hold a razor, to gently tucking him in bed at night. He even teaches him a
soothing mantra to say to himself when the night terrors are upon him. In
addition to helping Simon, Dan forcefully defends the honor of his good friend
Mingo, who is half Cherokee, against the attacks of a group of racist bullies,
the same group who unjustly accuse Simon of cowardice. Training his long rifle
on them, he says quietly, “he’s as good as any man here.” That one line,
perhaps as much as any, embodies the attitude of the show.
Add to this the
fact that Daniel and Rebecca’s marriage was not your usual “father knows best”
variety. Dan looked to his wife for help and advice, trusted her implicitly in
all matters and was immensely proud of her independent spirit. Together, they
shared equal authority and responsibility in raising their children.
And while none of this may seem especially earth shattering
to us today, we must remember that back in the 1960s ideas about marriage, race
and masculinity had changed little in the country in two hundred years. Nowhere
was this truer than the part I grew up in, the rural South. Fables of
friendship, racial tolerance and equality between the sexes that Daniel Boone showcased were gentle and
understated, but no less real and powerful for that. The moral and ethical
lessons I learned sitting in front of our little black and white set each week,
in an era of violence and social unrest, never left me. Instead, they helped
shape and inform my adult worldview, and, I dare say, the view of others;
little boys all over America, little girls too, who loved both Fess Parker and
the icon he portrayed. If didn’t
matter so much that the stories were largely the fanciful creations of TV
script writers. What mattered were the ideals and values those writers took as
their common theme each week. Back then, we seemed to be a nation reaching for
something more than mere wealth and power alone could define, and these stories
of civic charity and social inclusiveness, told in the guise of an adventure
tale, taught us that. Fess Parker taught us that. We learn to put away childish
things when we grow up. However, there are certain lessons we should never
Elliott is an educator and writer who lives in Asheville, North Carolina
CLICK HERE TO ORDER "DANIEL BOONE: THE COMPLETE TV SERIES" FROM AMAZON
Thanks to reader Mark Jarman for sharing this with us- British Pathe film archives silent footage reel showing film marquees in London in 1976. Here is their official description:
Cinema signs in London.
Various shots sign outside the Empire for 'To The Devil a Daughter'. Various
shots Jacey cinema advertising 'Bisexual'. Various shots Leicester Square
advertising 'The Man Who Fell To Earth'. Various shots Cinecenta. Various shots
Odeon advertising 'One Flew over the Cuckoo's Nest'. MS 'Operation:
Daybreak'. MS's Miss Fiona Richmond in 'Expose'. MS 'The Sunshine
Boys'. Various shots at Classic Moulin advertising 'I'm Not Feeling Myself
Tonight' and 'Housewives on the Job'. Various shots Odeon advertising 'Lenny'.
MS 'Return of the Pink Panther'. MS 'Emmanuelle'. MS's 'Jaws'. MS 'The
Hindenburg'. MS 'The Slipper and the Rose' at the Empire. MS's man behind sign
for 'Return of the Pink Panther' adjusting the wiring. MS's 'Love in a Women's
Here's a real rarity from some years ago: an officially licensed Steve McQueen Virgil Hilts action figure sold only in Japan back in the 90s. The Great Escape packaging is enough to make a collecting nerd out of any retro movie fan, especially when you throw in the optional U.S Army jacket patterned after the one McQueen wore in the film. The bad news: these figures sell for hundreds of dollars whenever they periodically show up on the collector's circuit. Now if they'd only make that Donald Pleasence companion figure! (Image from UK-based Metropolis Toys, which has a cool catalog of toys based on classic TV shows and movies)
Here is rare color footage of The Three Stooges in 1938, shot in Atlantic City New Jersey's famed Steel Pier. Moe, Larry and Curly vie for the affections of model Barbara Bradford, who was married to song and dance man George Mann, who shot the film and makes an appearance.
Movie poster artist Frank McCarthy was a legend in his field. Until his death in 2002, McCarthy had created, or collaborated on creating, some of the most iconic movie poster art of all time. The web site Dangerous Minds pays tribute to McCarthy's creations with a mind-boggling gallery of images from such films as "Thunderball", "Khartoum", "The Dirty Dozen", "On Her Majesty's Secret Service", "Hatari!", "The Great Escape" and many others.
American politics have always been contentious. When people pine away for the good old days of political civility, well...they just never existed. Going back to the early days of the republic, candidates routinely lied about each other and passed around unfounded scandalous rumors. Even "Honest Abe" Lincoln secured the Republican presidential nomination by having his minions literally bribe people to pose as delegates and pack the convention hall. One thing is for certain, however: the country is seeing its most vibrant protest movements since the late 1960s, when the toxic mix of Vietnam, civil rights, women's rights and other emotional issues seemingly had everyone at each other's throats. In a New York Times article, writer David Bianculli recalls how the Smothers Brothers became unlike vessels of the counterculture movement. The clean cut comedy duo was hired by CBS to provide gentle family humor (Tom and Dick Smother's shtick always revolved around sibling rivalry.) What CBS didn't expect was political satire the likes of which the network never imagined. Suddenly younger people had a TV show that was geared for them and the Smother Brothers set off national debates in barber shops, diners and the family dinner table. CBS didn't like it one bit. The network was the home of such popular, non-threatening fare as "The Andy Griffith Show", "Green Acres", "The Beverly Hillbillies" and "Petticoat Junction". Now, CBS magnate William Paley was getting complaints from top politicians. That set in motion a delicate situation: CBS would routinely try to censor segments of the show, but by doing so they were undermining the very audience that had made it a hit. Compromises were made but the politicos were not satisfied when seeing guests such as Pete Seeger and George Harrison intermingled with safe, traditional stars such as Jack Benny. (Seeger sang "Waist Deep in the Big Muddy", a thinly-veiled protest song about the Vietnam War that the network tried to cut.)
Ultimately, CBS caved and cancelled the show in its fourth season, using a bogus excuse that resulted in the Smothers Brothers getting a $900,000 payout- big money back in the day. Although the brothers skewed to the political left, one of their first targets had been Democratic President Johnson, who was constantly attacked for his Vietnam policy. His successor, Republican President Richard Nixon fared even worse. Johnson had complained personally to William Paley but after leaving office, made peace with the brothers by acknowledging that satire was an essential part of American politics. As for Nixon, it was learned later that he had siphoned funds from one of his presidential war chests to pay for a private investigator to find dirt on the Smothers Brothers. He never succeeded and Nixon would resign a few years later in the most notorious political scandal of the 20th century. Perhaps the brothers' ability to make both Democrats and Republicans feel uncomfortable was their greatest talent. Click here to read and view clips.
For author William Peter Blatty's interview in Cinema Retro, see issue #19 in our back issues section.
BY LEE PFEIFFER
With the recent passing of "Exorcist" author William Peter Blatty, the Washington Post takes a photographic journey back to the origins of the story that inspired Blatty to write the book. In 1949 the Catholic church issued a rare consent order to allow an exorcism to be performed on a young boy who priests feared had been possessed by a demon. Doctors and psychiatrists have long speculated that the cause of the boy's affliction was rooted in natural medical explanations but the priests reported that they witnessed events that could not have been caused by any earthly phenomenon. The priests involved remained made few public comments after the exorcism, though there are some sketchy diary entries that shed a bit of light on the proceedings. The boy who was the center of the case is still alive and is now 78 years old but has never commented publicly on his ordeal or his memories of it, if any. Unless and until he does, there will always be debate about what actually occurred in an ordinary house occupied by an ordinary family who would inspire one of the most extraordinary novels and films of the 20th century. Click here to view.
Joe Dante's "Trailers From Hell" site presents director/producer Alan Spencer's spot-on analysis of Robert Wise's 1966 epic "The Sand Pebbles" starring Steve McQueen in his only Oscar-nominated performance. For our money, it's one of the great films of its era even if its depressing as hell, as some very bad things happen to some very good characters.
By 1965 Sean Connery was already growing weary of the James Bond phenomenon. The money was great but he never sought to be an international idol and sex symbol and never warmed to the experience of having the press and fans follow him about wherever he went. He also feared that he would be typecast as Bond and thus sought roles in films far removed from the image of 007. His first two attempts, "Woman of Straw" and Hitchcock's "Marnie" were critical and boxoffice failures. Connery had high hopes for his next non-Bond film, "The Hill", which marked the first of several movies he would collaborate with director Sidney Lumet on. A grim, brutal but superb movie, "The Hill" was hailed at the Cannes Film Festival and received great notices. Although the movie never clicked with mainstream audiences who eagerly awaited Connery's next Bond film, "Thunderball", the 1965 production has grown in stature over the decades. Not only does it feature Connery's first brilliant cinematic performance but he is matched by an equally brilliant supporting cast: Harry Andrews, Ossie Davis, Ian Hendry, Ian Bannen, Alfred Lynch, Roy Kinnear and Michael Redgrave. This original featurette shows the movie's enthusiastic reception at Cannes and the grueling challenges of filming it in the Spanish desert.
Regular readers know that every Christmas, Cinema Retro pays homage to Santa Claus Conquers the Martians, the Citizen Kane of all movies relating to Santa Claus battling creatures from other planets. The 1964 $20,000 wonder has been a cinematic legend among bad movie lovers. We're happy to present the entire film for your (guilty) viewing pleasure.
Wishing our readers worldwide a happy and healthy holiday season!
The web site "1966: My Favorite Year" unearthed this gem of a find: a children's record album released that year that featured Yogi Bear, the Three Stooges and a James Bond parody. Talk about something for everyone! Best of all, the site links to the entire album in audio format on YouTube. Click here to read and listen.
Writing in the Daily Beast, Wayne Curtis provides an excellent article about W.C. Fields' drinking habits on and off film sets- and how the habit not only enhanced his career but played a role in ending Prohibition.
Film historian Jonathan Froes has uploaded this trailer for the 1939 Universal monsters classic "Son of Frankenstein". According to Indiewire, this particular trailer was thought to be lost due to the fact that it shot on nitrate film. That film stock proved to be highly flammable, causing studios to ends its use and destroy countless prints of feature films and trailers. Indiewire says that horror film enthusiasts consider this to be a real find because it contains alternate takes and snippets of scenes not included in the final cut of the film, which featured a stellar cast: Basil Rathbone, Boris Karloff, Bela Lugosi and Lionel Atwill. For more click here
Here's a rarity. An original rare CBS promotional film highlighting the forthcoming TV premiere of "Hogan's Heroes" a half century ago. You'll note the film also includes cameos by Fred MacMurray of "My Three Sons" and Alan Hale Jr. and Bob Denver of "Gilligan's Island". You'll also notice that the early version of the opening credits is much longer than the final version for broadcast and that there are some cast discrepancies as well.
The following news items were reported in Film Daily during the week of October 21, 1963
Stephen Boyd in "The Fall of the Roman Empire"
Paul Lazarus Jr., executive vice president of Samuel Bronston Productions, is lining up tours to the Bronston Studio in Spain for exhibitors who have expressed interest in (and booking) Fall of the Roman Empire. The trips, on which theater men will be on their own, especially for transportation, are expected to start shortly after mid-November.
Steve McQueen in "the Great Escape" (Like we really had to tell you!)
United Artists' The Great Escape rolled up $205,915 in the second week of its Golden Showcase run at 21 theaters in the greater New York area.
Arthur Kennedy, Victory Jory, Sal Mineo, George O'Brien, and Dolores Del Rio have been signed for key roles in Cheyenne Autumn Warner Bros. film which John Ford is directing.
Britain's Shirley Eaton will fill the sole femme part in MGM's Rhino in production in South Africa.
Executive Council of British Film Producers Association will support the move by the Association of Independent Cinemas to reduce the admittance of teenagers to "A" pictures from 16 to 14. Films classified as "A" by the censor are forbidden to children under 16 unless accompanied by an adult. Films tagged "X" are forbidden to those 16 and under while "U" films are for the entire family.
How the West Was Won has passed the 500,000 admission mark at the Warner Hollywood Cinerama Theatre, where the MGM production has grossed more than $1,000,000 since its opening October 21...Ticket orders are being taken into December and the engagement will continue indefinitely.
Swedish poster for "It's a Mad, Mad, Mad, Mad World"
Stanley Kramer and many of the stars of his It's a Mad, Mad, Mad, Mad World will appear on The Jerry Lewis Show, ABC-TV
November 2, the night before the UA Cinerama comedy has its
international press preview at The New Cinerama Theatre in Hollywood.
If you wonder why we at Cinema Retro consider the 1960s the true "Golden Age" of movie making, just take a gander at this page from a Canadian newspaper in 1966 and consider the diverse number of popular films that were showing during the same week: Dean Martin as Matt Helm in "The Silencers", James Coburn as "Our Man Flint", Hayley Mills and Rosalind Russell in "The Trouble With Angels", "The Sound of Music", a reissue of "A Hard Day's Night", "Carry on Cleo", "McHale's Navy Joins the Air Force" and reissues of Vincent Price in "Tomb of Ligeia" and Richard Kiel in "Eegah". We're not making the case that these were all classics but we will make the case that they were all fine entertainment- which is why films such as these live on in the pages of Cinema Retro magazine.
We've long extolled the virtues of Sidney Lumet's 1964 screen adaptation of the Cold War Doomsday novel "Fail-Safe", which centers on an accidental order to launch a nuclear strike on the Soviet Union. The film was cursed on any number of levels, however. Lumet had a very small budget to work with and the film was delayed from release by Stanley Kubrick, who feared that it would tarnish his own Doomsday classic "Dr. Strangelove" if it were released first. Ultimately, Kubrick pressured Columbia, the studio behind "Strangelove", to buy the distribution rights to "Fail-Safe" and keep it on a shelf until "Strangelove" was out of theaters. The result was disappointing box-office returns for Lumet's masterful achievement, but the film has grown in popularity over the years. Director Joe Dante is also a fan of the film and provides some interesting facts about its production as a commentary over the movie's original trailer. It all appears on Dante's "Trailers From Hell" web site, along with hundreds of other trailers with commentaries. Click here to view.
In 1976 Frank Sinatra hosted a CBS television special: "An All-Star Party for John Wayne". Among the guests was Charles Bronson, a man who made few public appearances and made even fewer speeches. Here he pays sentimental tribute to Wayne, who surprisingly he had never met until that evening.
Director John Badham dissects the original trailer for John Ford's "Stagecoach" starring John Wayne in his star-making role. Here is his analysis from Joe Dante's "Trailers from Hell" web site. By all means, check out hundreds of other classic trailers reviewed by filmmakers and historians by clicking here.
With the sad news about the passing of former First Lady Nancy Reagan, Cinema Retro presents the film trailer for "Hellcats of the Navy", the 1957 WWII adventure that marked the only time that Mrs. Reagan (then still known as Nancy Davis) appeared on screen with her husband and future president Ronald Reagan.
Here's a blog that has a unique perspective on Beatlemania: it is dedicated entirely to the ladies in the lives of Paul McCartney, John Lennon, George Harrison and Ringo Starr from their early days as the Fab Four through the present. The site has little in the way of text but does provide a Yellow Submarine-sized load of great photos, many of which are new to us.
Self-portrait of George Harrison and his first wife Pattie in their garden at their home in Surrey.
The blog reminds us that behind every great Beatle was a Beatlette. Click here to view site.
One of the most underrated epics of all time, the 1962 version of "Mutiny on the Bounty" was reviewed largely on the basis of its troubled production history and massive budget over-runs. Star Marlon Brando took much of the blame, though he always denied that had been the cause of the financial debacle that ensued at MGM when the studio suffered massive losses after the film's release. As with another major money-loser of the era, "Cleopatra", many people dismiss this remake of the original 1935 version of "Mutiny on the Bounty" as some kind of artistic debacle. In fact many retro movie buffs regard it as superior to the first version. If one can judge the film on its own merits, not its financial legacy, they will find Brando and co-star giving brilliant performances as Fletcher Christian and Captain Bligh. An inspired supporting cast, stunning production values and a great musical score all contribute to making this one of the great epic films of its day. This original trailer gives you a sample. - Lee Pfeiffer
CLICK HERE TO ORDER BLU-RAY SPECIAL EDITION FROM AMAZON THAT INCLUDES RARE PROLOGUE AND EPILOGUE THAT WERE NOT INCLUDED IN THE FILM'S ORIGINAL RELEASE.
Here is the original 1968 behind the scenes production featurette for Steve McQueen's "Bullitt". The short is narrated by McQueen himself and emphasizes his commitment to ensuring that the crime thriller reflected real life at all times. The featurette also shows some alternate angles and behind the scenes footage of co-stars Robert Vaughn and Jacqueline Bisset as well as an extensive look at the staging of the classic car chase in San Francisco.
There was a time in American politics when people could disagree without detesting each other. Epitomizing a prime example of inter-American detente in the 1960s was the relationship between arch conservative John Wayne and arch liberal Kirk Douglas. The two men disagreed on almost every major political issue. Wayne had backed the McCarthy era blacklist and Douglas was notable in helping end it a decade later. When the two iconic actors agreed to co-star in Otto Preminger's 1965 WWII epic "In Harm's Way", there were predictions of fireworks on the set as both Wayne and Douglas could display volatile tempers. Instead Duke and Douglas got along personally like a house on fire. Wayne's Batjac Productions even backed Douglas' 1966 big budget production of "Cast a Giant Shadow" about the founding of Israel. The two men teamed for the third (and regrettably final) time in 1967 for "The War Wagon", a marvelously witty and highly entertaining Western that showcased both actors at their best. Enjoy this original theatrical trailer.
Both John Wayne and Lee Marvin vied for Elizabeth Allen's attentions in John Ford's 1963 comedy "Donovan's Reef".
Elizabeth Allen never became a super star but the lovely and talented actress graced both movie and TV screens with her fine performances. She also appeared in some acclaimed stage productions as well. Among Elizabeth's film credits are "Donovan's Reef", "Diamond Head", "Cheyenne Autumn" and "The Carey Treatment".
Her TV work included "Bracken's World", "Another World", "Guiding Light", "CPO Sharkey", "The Fugitive" and "The Man From U.N.C.L.E." Ms. Allen passed away in 2006 at age 77. Writer Scott Rollins presents an in-depth tribute to her on his blog. Click here to read.
Jim Sherlock, one of Australia's most respected film historians, provided us with this sampling of what was showing in Oz on one day in 1966. Sort of boggles the mind, doesn't it? Steve McQueen in Nevada Smith, Robert Vaughn and David McCallum in The Man From U.N.C.L.E. feature film One of Our Spies is Missing, Julie Christie in Darling, Sophia Loren and Marcello Mastroianni in Marriage Italian Style and Doris Day and Rod Taylor in The Glass Bottom Boat (note that in Australia it had the more provocative title The Spy in the Lace Panties!). Those really were the days....
Alfred Hitchcock loathed having to abide by the Puritanical "Hayes Code" that, in effect, acted as a de facto censorship board for American films. Hitch devised numerous clever ways to introduce adult sexual situations into his films in a manner that made it difficult, if not impossible, for the prudes to order scenes trimmed or deleted. Hitch lost a few battles (ironically one them based on a non-sex scene involving the flushing of a toilet!) but generally managed to get one over on the would-be censors. Click here for an article from The Richest web site that examines some his tactics for including sex in his movies (although the article fails to examine "Marnie", perhaps the most sexually driven of all Hitchcock's films.)
It's hard to believe that even in the contentious late 1960s, politics were probably more civil than they are today. If you want proof, check out this 1967 sit-down from TV in which uber-liberal Woody Allen chats with William F. Buckley Jr. , the father of the modern conservative movement in America. It's interesting to hear the names of prominent people who were grist for the mill of satire during this period: President Johnson, presidential aspirant Bobby Kennedy, President Charles De Gaulle all come in for some pointed barbs. Allen, who had not yet entered a period in his life in which he all but withdrew from public appearances, is extremely witty but Buckley holds his own against the comedy legend-in-the-making. The segment recalls a time in which people could disagree without being disagreeable. If only our politicians could make the same claim today.
Ranging from the sublime to the ridiculous and incomprehensible, the final words of legendary actors and actresses provide some fascinating and thought-provoking moments. Among those cited here: Stan Laurel and Oliver Hardy, Laurence Olivier, Lucille Ball and Desi Arnaz, Rock Hudson, Marilyn Monroe and Groucho Marx. Click here to read.
RETRO-ACTIVE: THE BEST FEATURES FROM THE CINEMA RETRO ARCHIVES
Don't you miss those wonderful old comic book tie-ins to major motion pictures? We unearthed this one in the seemingly bottomless vaults of the Cinema Retro archive. It was a tie in from Dell Comics for director John Sturges' 1965, big budget misfire The Hallelujah Trail that managed to squander the talents of Burt Lancaster, Lee Remick, Jim Hutton and many other popular actors. However, we still have a soft spot for the comic book, which is far more entertaining than the padded, seemingly endless film upon which it is based!
The following press release was published in May, 1964
"Frank Sinatra will star in Von Ryan's Express at 20th Century Fox. Based on David Westheimer's bestseller about mass escapes from Italian prison camps during WWII, the drama will be produced by Saul David with Mark Robson directing. It is scheduled to start in mid-summer with possible location in Italy."
(Note: the press release was inaccurate in the sense that the film did not deal with massive "escapes" from multiple prison camps. Rather, it dealt with only one escape from one camp. However we suppose it's a bit too late to demand that the press writer be fired.)
Burt Lancaster and Susan Clark in Valdez is Coming - a film shot and released in 1971 after postponements for Lancaster to star in Airport.
The following news items were in The Hollywood Reporter on November 4, 1968:
Cloris Leachman and Henry Jones have been cast in 20th Century Fox's Butch Cassidy and the Sundance Kid
Neal Hefti has been signed by Howard W. Koch to to arrange and conduct Paramount's On a Clear Day You Can See Forever
You can call Elizabeth Taylor "Myra" for sure unless an unexpected snag develops in the current agreeable negotiations we're not supposed to know anything about...Elizabeth is now Dick Zanuck's number one choice to prove she can play both sexes as his Myra Breckenridge and she is in verbal agreement- no doubt for her usual million bucks plus a piece of the action. (Cinema Retro notes that Raquel Welch ended up playing Myra in the distastrous screen version of the bestseller. Film critic Rex Reed played Myra in her male persona)
In order to allow Burt Lancaster to star in Ross Hunter's Airport at Universal, producer Ira Steiner postoned start of United Artists' Valdez is Coming. Lancaster checks in with writer-director George Seaton on Airport as soon as he winds MGM's The Gypsy Moths.
Now that Dean Martin and Burt Lancaster have been signed for Airport, scribbled on Ross Hunter's memo pad are Natalie Wood, Patricia Neal and Helen Hayes. (Cinema Retro notes that only Hayes was in the film.)
Sammy Davis and Peter Lawford won't be going back to London for their Salt and Pepper sequel. Las Vegas will be the place. (Cinema Retro notes that the sequel, One More Time, directed by Jerry Lewis, was indeed filmed in England.)
Carlo Ponti's Zabriskie Point issued a call for 3000 extras in Las Vegas last week and you should have seen the line that formed! Hear they'll be shooting in Death Valley.
Issue #29 of Cinema Retro commemorated the locations seen in The Great Escape.
Cinema Retro contributor Don Whistance has an amazing blog for anyone who is a fan of the classic 1963 WWII film "The Great Escape". His site painstakingly details the German shooting locations of the film and provides then and now photos as well as a wealth of information and interviews about the film. Click here to check it out.
For those of us who lived through the era when AIDS first reared its head with devastating impact on the world, it's hard to believe that 30 years has transpired since Rock Hudson became the first celebrity casualty of the disease. In those days, ignorance about AIDS brought about panic and prejudices. Hudson, however, was a beloved and iconic screen legend and his death went a long way to humanizing victims of AIDS. If this beloved idol of millions could fall victim to this scourge, then perhaps it wasn't just people thought to engage in deviant lifestyles and behaviors. Rock Hudson never wanted to be the face of the Gay Rights Movement. He became a star during an era in which even the hint of being homosexual would have been the death knell on his career. However, one would like to think that his untimely death at age 59 resulted in progress toward a more compassionate view regarding AIDS and HIV victims. For more on Hudson's death click here.
You may think that the American drive-in movie theater has gone the way of the do-do bird and The Knack. However, there are still a surprising number of drive-ins operating, primarily in rural area where the price of real estate isn't so prohibitively expensive. One of the drive-ins of interest to Cinema Retro readers is the Mahoning Drive-in located in Leighton, PA, not too far from the New Jersey border. What makes the theater unique is the owner's quest to concentrate solely on classic and cult films shown in 35mm. You can forget seeing the latest Adam Sandler flick here. This is for lovers of old sci-fi and horror films. The theater has been working with Exhumed Films to continually find sources for good 35mm prints in order to keep retro film festivals alive. For more on the theater and its history, click here.
(If you know of a theater that specializes in retro-based film programming, you can send the details to: email@example.com. Please ensure that there is a current web page the article can link to.)
Classic movie posters, once regarded as the domain of eccentric collectors, are finally being taken seriously in financial circles because of their often staggering rate of return on investment. In an article for Bloomberg News, it's pointed out that some of the rarer posters appreciate at a far greater pace than many conventional investments. The irony, of course, is that for decades such posters were routinely tossed out after a movie was exhibited. Most had to be returned to National Screen Service, the company that leased the promotional materials to theaters. After a period of years, NSS destroyed older posters, photos and lobby cards, which were never officially available for sale to the public. However, die hard collectors found niche shops that catered to their needs. In the beginning, collectors wanted the posters because of their artistic merit but over the decades, they came to be regarded as a solid financial investment. Click here for more.
We've all seen Halloween, Friday the
13th, and Hellraiser. But for true horror aficionados, much of the
charm of the genre lies in low budget, low production value, and extreme,
outrageous effects and plots. Read on to learn more about five of the forgotten
horror films of
the 80’s that, while an exercise in bad taste, will provide the horror fan with
a truly enjoyable viewing experience.
While poorly received upon its 1988 debut, Pumpkinhead has
built up a cult following in the years since its release. The movie tells of a
small rural town besieged by an ancient, gigantic monster (the titular
character), who is called into being by a father who wants to exact revenge on
the teenagers who have injured his young son in a dirt biking accident. The
film, which starred genre favorite Lance
Henriksen as the vengeful patriarch, spawned one direct to video sequel and
two made-for-television films.
Happy Birthday to Me
The Canadian production stars Little House on the
Prairie darling Melissa Sue Anderson as Ginny, the leader of an elite high
school clique whose members meet unfortunate ends. This 1981 slasher flick is
best remembered—when it's remembered at all—for the bizarre methods by which
the teens are murdered (including death
by shish kabob and death by weight lifting). These elements, in addition to
the twist ending, set it apart from the rest of the early 80’s slasher pack.
This 1984 comedy horror is about a race of humanoid
mutants (CHUDs, or Cannibalistic Humanoid Underground Dwellers), who live in
the subway tunnels beneath New York City. When the government cracks down on
transients who live in the transit system, the CHUDs begin coming up onto the
streets to feed. Starring John Heard and Daniel Stern, the movie is
quintessential midnight viewing and one of the best horror films set in the Big
Apple. C.H.U.D. was so popular upon its release, it developed a cult following
and can still be seen on the El Rey
Network, which DirecTV and Dish
Network customers have access to.
Another creature feature set in the urban underground,
1980's Alligator is about a giant reptile who is killing humans in the sewer
system of Chicago. The movie is based on the urban legend about a child who
flushed a pet baby alligator down the toilet when it gets too large to live in
the house. Although the film has largely been lost to time, it was praised upon
its release for its satirical elements and even spawned a board
Falling more on the science fiction side of horror, 1985's The
Stuff is an engaging satire with plenty of comedic elements. The film focuses
on the marketing of a white substance found bubbling out of the ground as a
sweet, calorie free treat that the public begins to consume like ice cream. As
you might suspect, that's not a great idea. Soon, it's apparent that those who
eat The Stuff are transformed into mindless zombies. The cult
classic features the earliest known film appearances by both Mira Sorvino
and Patrick Dempsey.
While you won't find these films in the list of genre classics, it's worth
probing the back catalog to check out these unique
pieces of horror history. Many will appreciate their amateur acting, obvious monster props, and ridiculous storylines.
Burton and Taylor met on the set of Cleopatra...and the sparks flew on screen and off.
The Huffington Post digs back into the past to unearth some of the more vivid sex scandals involving well known actors and actresses. We're not sure that Barry Williams going on a date with his "Brady Bunch" mom Florence Henderson deserves inclusion, but undoubtedly Eddie Fisher, Richard Burton, Elizabeth Taylor, Charlie Chaplin, Ingrid Bergman and Errol Flynn do. Click here to relive some not-so-glamorous moments in show business history.
The Cinefix web site provides a lengthy analysis of the differences between Stephen King's novel "The Shining" and Stanley Kubrick's 1980 film version, which in this writer's opinion has many merits but is ultimately undermined by the miscasting of Jack Nicholson and Shelly Duvall. The Cinefix guys provide clips from the film and some very clever graphics in a fast-moving and cynically humorous examination of how the book and film versions depart from each other. - Lee Pfeiffer
We don't usually cover the world of stand-up comedy on Cinema Retro but this is one for the ages: a late career burst of brilliance from George Carlin that reminds us of why his legacy is safe as one of the most innovative comic minds of his time.